In Tamil cinema, you can never sit and watch any film of some directors as a family. Not for glamour. The film’s violence? Is the film itself violent? They will run some stories to the extent that there is doubt. In that way, some of the logics that have been dealt with continuously in director Bala’s films are for you…
Setu, Naan Gadav, Paradesinu is the equivalent of Bala in taking stories that Tamil cinema directors hesitate to take. Although those films cannot be seen by any fan with a light heart, they will tell the story of the true situation.
Especially in the movie Bala, the actresses and actors really fall under the spell. Then you will be idle in the film. All the fight scenes are realistic. A hero will never compromise anywhere.
There is definitely one character in Bala who is a bit out of place in the present. In addition, Vikram who appeared in Pitamagan and Vishal who appeared in Awan Ivan are the ones who got big reach.
After that, Bala would have filmed the lives of people that some people failed to tell. When I told the life of the aghoris and the beggars in the film God, it may have brought tears of blood to many people. Like this, all Balavot films will have a different storyline. For Akmark, these few logics will definitely not be missed in Bala films.